John Kelman, allaboutjazz.com
ARRIVAL
"..Fresh Sound once again brings another new artist to the fore.
Unassuming, without any kind of shtick, Schimmeroth is, quite simply, a fine
young pianist with an elegant touch, a refined sense of swing, and a
refreshingly modern approach to
the mainstream. Five original compositions demonstrate the kind of thinking
that, like west coast pianist Alan Pasqua on his new release, My New Old
Friend, hides more challenging constructs within
an easy-on-the-ears approach. Schimmeroth also covers three well-heeled
standards, bringing an intriguing new complexion to Oscar Pettiford’s “Bohemia
After Dark.” On this tune Schimmeroth shows his true mettle, reworking the head
with the kind of across-the-bar mentality that makes it almost impossible to
find the downbeat until the trio settles into the relaxed swing of the solo
section.
Bassist Matt Penman, another Fresh Sound artist, and drummer Jeff
Ballard—arguably one of the more inventive drummers to emerge in the past
ten years and best known for his work with pianist Chick Corea—create a
backdrop that both supports and challenges Schimmeroth, who is a lyrical,
thematically-minded soloist."
Jim Wilke in Jazz After Hours
ARRIVAL
"..This is music by an outstanding young trio"
Steve Futterman, JAZZTIMES
ARRIVAL
"..Schimmeroth is a skilled bob-besotted newcomer worth keeping
tabs on. And like all smart young players, stepping out for a first recording
he values the company he keeps. : drummer Jeff Ballard, one of his generation´s
most sensitive percussionists, and bassist Matt Penman cushion the leader with
refinement and high style. A grooving take on Oscar Pettiford´s bop opus
"Bohemia After Dark" impresses, but a nearly 10-minute "Body And
Soul" best reveals Schimmeroth´s mainstream promise"
Marc Myers, allaboutjazz.com
…
.. Arrival marks the
debut of German pianist Alexander Schimmeroth as a leader, and based on this
album, he appears to be a budding individualist and a stimulating, thoughtful,
even witty improviser.
.He plays as if he is fascinated with Monk. To my ears, then, he is
investigating Monk's ideas of phrasing, space, and thematic improvising. And by
filtering these ideas through some Bill Evans devices and his own
sensibilities, he is developing an approach that could have interesting, even
important, implications for the future of jazz piano.
Hear, for example, Schimmeroth's excellent “It's You Or No One” solo.
The light touch is there, along with firm, if understated swing, but
Schimmeroth doesn't toss off fireworks. He airs out his phrases without losing
momentum. On “Rhythm,” his clever variant of rhythm changes, he plays
peek-a-boo with the beat, turning it around, playing with it, then digging in
for some cooking. This trio doesn't burn, actually, but it keeps things moving
at a steady simmer.
At all times on Arrival, the
trio is together, sounding like a band. Matt Penman is one of those gifted
bassists who plays stimulating melodies while walking. The way his lines
entwine with Schimmeroth's on the pianist's lovely waltz “Song” is especially
intuitive and supportive. And drummer Jeff Ballard plays at his usual high
level, in which everything he does feels right.
Doug Ramsey:
…His sound is full-bodied, his timing and note placement exquisite. This
is an impressive debut.
Reviews on “The Drill” 2010
Musenblätter, Frank Becker:
…Eines der schönsten Jazz-Alben 2010, wegen seiner grandiosen Konzeption,
der musikalischen Qualität und des
seelenvoll-brillanten Spiels aller drei Protagonisten”
“Grandios !!”
“Jazzthing” “CD der Woche “ Ulli Lemke:
“Virtuos !”
“Pianonews” Tom Fuchs:
“Sein Spiel vereint in gelenkigem Schwung Elemente des
Swing und des Neo-Bop, zeigt Groove, Tempo, Kante und Biss. ….so kann der
gespielte Steinway D
unter Schimmeroth´s Händen die ganze Klasse und Fülle
seines Klangs in unmittelbarer Plastizität entfalten..”